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2005
7-8. December, 2005 – Műcsarnok / Kunsthalle, Budapest
20. October, 2005, 7 pm – Odeon Lloyd Cinema, Budapest
10. June - 3 July, 2005. – NCCA, Moscow, Russia
05. May 2005., Thursday, 6:00 pm
14-22. May 2005., Aegina, Greece
8. May 2004., Sunday, 18.00 - C3 Auditorium Geert Lovink lectures / Linda Wallace screenings8. May, Sunday, C3 Auditorium, 18h lecture title: In his talks Geert Lovink will present the research agenda of his newly established Institute of Network Cultures, which is based in Amsterdam. What is 'critical Internet culture' as outlined in his books Dark Fiber and My First Recession and how does it relate to the current technology and business agendas? It has been liberating to have a good laugh about the organized stupidity and criminal energy of the dotcom generation. After 911 the hegemony of techno-libertarianism has faded away. So how does the Internet economy looks like today? Wikis, blogs and podcasting still seem to be extenstions of the nineties' philosophy in which content producers are kindly asked to give away their work for free. Can artists and activists only adapt what others have developed years ago or are still some possibilities to invent and intervene? screening title: Linda Wallace will show and discuss the recent works entanglements (11min, 2004) and the video database installation LivingTomorrow
(March 2005), made while artist-in-residence at Nederlands Instituut voor Mediakunst. Both works invite the viewer to reflect on the televisual landscape within
which we live. 10. May, Tuesday, MKE Intermedia, 11h lecture title: http://www.intermedia.c3.hu/pst/tactical.html screening title: Linda Wallace will discuss her recent studio-based Ph.D at Australian National University, called material media: artifacts from a digital age. Wallace will show and discuss the three works which comprised the Ph.D studio component: lovehotel, eurovision and the 1999 curatorial project PROBE, in Beijing. http://www.machinehunger.com.au/phd Geert Lovink is one of the most important European media theorist, and from this year he is the director of the newly founded Institute of Network Cultures in Amsterdam. (http://www.networkcultures.org) He is a prolific writer; beside many Dutch and German publications lately he just published two important books at the prestigious MIT Press: - Dark Fiber, Tracking Critical Internet Culture, ISBN 0-262-12249-9, - Uncanny Networks, Dialogues with the Virtual Intelligentsia, ISBN 0-262-12251-0 Geert Lovink is a regular visitor in Budapest, he was the co-organizer of the MetaForum conference series in 1994, 95 and 96, (http://www.mrf.hu/metaforum.html), he had close contacts with the unofficial media scene of the early 90'ies in Hungary, he lectured at the Intermedia Faculty several times in Hungary, and this invitation would be a long awaited follow up of his earlier presence.
The lectures will be taken in English. Supported by the Royal Netherlands Embassy in Budapest.
17-30. March 2005.
17-30. March 2005.
"One of the defining achievements of the twentieth century was the birth of the space age. For the first time in history, humans escaped the gravity of the earth, walked on other
celestial planets and established the first outposts in space." (Roger Malina)
Art and artists have formed an integral part of space exploration. From the beginning, film-makers, performance artists, sculptors and new media artists have contributed to space art. The term "Space Art" has many connotations and definitions even among practitioners. Roger Malina, astronomer and executive editor of Leonardo, defines space art as follows: 1. Art which exploits sensory experiences generated through space exploration. New landscapes become accessible through space photography and film. 2. Art which expresses the new psychological and philosophical conceptions developed through the exploration of space. The primary example of this is the concept of the Earth as a whole system - a concept made concrete by the first views of the whole Earth seen from space. 3. Art in space, viewed from Earth. 4. Art on Earth, viewed from space. 5. Art in space, viewed in space. 6. The applied arts, such as space architecture, interior design and furniture design. 7. Art which takes advantage of new technologies and materials created through space activities. The most important of these make use of satellite systems to create simultaneous global artworks. Since 1997, a series of one-day Workshops on Space and the Arts have been co-organized between Leonardo/Olats, the OURS Foundation and the International Academy for Astronautics. In collaboration with the First IAA International Conference that will take place 17-19 March 2005 in Budapest, Leonardo/Olats is holding its 8th Space and the Arts Workshop on 16 March 2005, entitled The Impact of Space on Society: Cultural Aspects. http://www.olats.org/setF3.html http://www.spaceart.net/definition.php http://www.art-outsiders.com/uk1_arto.html
7-8. March 2005., at 7 p.m.
1-20. February 2005. Trafó Gallery :: http://www.trafo.hu/
List of presented videos:
László László Révész Black Sheep Digital video, 2003-05 7’20’’ János Sugár The Typewriter of the Illiterate Digital video, 2001 7’25’’ Tamás Komoróczky Codename: UUUU Digital video, 2003 7’21’’ Szabolcs Kispál L’autre monde Video, 1998 2’35’’ Miklós Bölcskey Traffic Video, 1996 3’25’’ Andrea Scneemeier Playing to Change the World (The Bride) Digital video, 2004, 10’ Gábor Bódy: PHILO- MYTHO- LYRIC CLIPS DE OCCULTA PHILOSOPHIA philo-clip DFFB, TU Berlin and own production (1983/col./video) 3’15” With the work of Heinrich Cornelius Agrippa von Nettesheim (1486--1535) DANCE OF EURYNOMÉ Mytho-clip Tag/Traum (Cologne) (1985/col./video) 3’ NOVALIS: WALZER Lyric-clip WDR (Cologne), Lichtblick (1985/ col./video) 3’ |
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