In the interaction based on the friedrich attitude of romanticism, the art experience lifts up the observer, so that he becomes worthy. The voyeur is positive about that he can't interact with the vision, he recreates it instead.
The monument-like appearance of the construction is reasonable, as in present case the observer cannot interact with the process, wich causes a pathos of the irreversibly passing time. In my work I try to hide the presence of the computer behind certain trivial effects, which splits the message into several layers: the computer under the wash-bowl is connected with the screen, that is fixed onto a tripod. The installation gives out lights in two directions: way down, pointig on the content of the bowl, an forwards, as an image, running on the screen.
The content of the wash-bowl is a mass of grid, layered from burned matches. The generation of this process is described in the animation, scratching the screen.
The behaviour of video-fragments running on the screen, is based on an observation, that the freehand shooting - panning - carries a certain geometrical correlation system, which remains unobserved because of the doctrines of motion picture language. The window of movie relative to the wiew spherically surrounds us can be understood only by the traditions of motion picture, otherwise.