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«« 2001: science + fiction
«« Architectonic visions today
«« BLICKMASCHINEN / Visual Tactics or how pictures emerge
«« Beyond Art
«« Bulldozer
«« C3 catalogue [1999]
«« C3 catalogue [2001]
«« C3 multimedia CD-ROM [1999]
«« C3 multimedia CD-ROM [2000]
«« Colorum Naturae Varietas
«« Feedback
«« Gábor Bódy: Video Works
«« Hungarian Content
«« Inside-out
«« Interrupted Dialogue - Revisions
«« Kempelen
«« Media Model
«« Meeting Marta Minujín & the Five Pregnant Virgins
«« Modern and Contemporary Hungarian Art
«« More than ten
«« Ostranenie 93 95 97
«« Perspective
«« Perspective CD-ROM
«« Polyphony
«« SCCA Bulletin 1991-1994
«« SVB VOCE
«« The Butterfly Effect
«« The Last Window Giraffe
«« V=A · O
«« Vision
«« "We shall survive in the memory of others"
«« bauhaus lab | budapest
«« concept.hu | koncept.hu
«« mediamuseum.c3
Media Model
Media Model
INTERMEDIA - New Image Genres - Interactive Techniques
CATALOGUE
http://www.mediamodell.c3.hu/
2001
290 pages
ISBN: 963 00 6969
EDITORS

Erõss Nikolett, Szekeres Andrea

PUBLISHERS

Mūcsarnok-Kunsthalle, Budapest  ·  MAOE  ·  C3 Center for Culture and Communication

SPONSORS

C3 Center for Culture and Communication  ·  Mūcsarnok-Kunsthalle, Budapest  ·  MAOE

In 2000, the first event of the exhibition series organised within the framework of millennium events took place, realised as a collaborative project of the C3 Foundation, the Mûcsarnok/Kunsthalle Budapest and the Association of Hungarian Artists: the exhibition entitled Media Model: INTERMEDIA - New Image Genres - Interactive Techniques. The organising institutions published in 2001 a catalogue in English and Hungarian language, which presents on 300 pages organised according to the layout of the exhibition, the Hungarian media art of the past decade up to the present, placed in an international context. For the first time in Hungary, a publication has been produced that implements a comprehensive introduction to artworks built upon the potentialities of the new technologies, which allows for international readers, as well, to become acquainted with the evolution and the present of perhaps the most dynamically developing branch of Hungarian contemporary art. Miklós Peternák's introductory essay is followed by the richly illustrated presentation of the exhibited artworks, which are in many cases accompanied by the artists' own writings about their works. With a view to the pioneering character of this publication, we considered it important to compile a chronology based upon the happenings related to Hungarian media art, as well as to impart the detailed professional biographical data of the participating artists.


 

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