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«« 2001: science + fiction
«« Architectonic visions today
«« BLICKMASCHINEN / Visual Tactics or how pictures emerge
«« Beyond Art
«« Bulldozer
«« C3 catalogue [1999]
«« C3 catalogue [2001]
«« C3 multimedia CD-ROM [1999]
«« C3 multimedia CD-ROM [2000]
«« Colorum Naturae Varietas
«« Feedback
«« Gábor Bódy: Video Works
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«« Interrupted Dialogue - Revisions
«« Kempelen
«« Media Model
«« Meeting Marta Minujín & the Five Pregnant Virgins
«« Modern and Contemporary Hungarian Art
«« More than ten
«« Ostranenie 93 95 97
«« Perspective
«« Perspective CD-ROM
«« Polyphony
«« SCCA Bulletin 1991-1994
«« SVB VOCE
«« The Butterfly Effect
«« The Last Window Giraffe
«« V=A · O
«« Vision
«« "We shall survive in the memory of others"
«« bauhaus lab | budapest
«« concept.hu | koncept.hu
«« mediamuseum.c3
Perspective
Perspective
International media art and history exhibition in the Mûcsarnok/Kunsthalle Budapest
CATALOGUE
http://www.c3.hu/perspektiva/
2001
520 pages
ISBN 963 9115 57 6
AUTHORS

Peternák Miklós, Dietmar Kamper, Anthony Moore, Siegfried Zielinski, Pietro Roccasecca, Hajnóczi Gábor, Marosi Ernő, Preston Scott Cohen, Moravánszky Ákos, Beke Zsófia, Marisa Dalai Emiliani, Peter Weibel, Marcel Bacic, Wilheim András, Pór Péter, Bacsó Béla, Kollár József, Timothy Druckrey, Zbigniew Rybczynski, Jno Cook, Edwin Carels, Otto E. Rössler, Friedrich Kittler, Beke László

EDITORS

Peternák Miklós, Erőss Nikolett, Adele Eisenstein

PUBLISHERS

C3 Center for Culture and Communication  ˇ  Műcsarnok-Kunsthalle, Budapest

SPONSOR

National Cultural Fund

The volume published in Hungarian and English was produced according to the exhibition and event series collaboratively by the Mûcsarnok/Kunsthalle Budapest and the C3 Foundation and realised in the summer of 1999, to significant professional and popular success, which presented the transformations of the image form based upon the discovery of perspective, from the Renaissance to the present day.

The representative, impressively designed volume, thematically structured and illustrated with several hundred images, provides a survey of the half-millennium of the applications of historical and contemporary art of perspective. Alongside the reproductions of exhibited works and their related descriptions and critiques, the book also contains the texts of the lectures given by distinguished Hungarian and international experts in various fields related to the theme, within the accompanying international symposium. Likewise, documentation of the accompanying screening series, offering a sampling of the filmic applications and methods of interpretation of perspective, and film analyses can be found, as can bibliographical sources related to the thematic sphere of perspective.


 

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