ECX - european cultural Xchange
(the european cultural protection programme)

 

Introduction

The ECX is a programme intended to provide selected artists, academics, curators, journalists and related cultural practitioners from the European conflict regions with an opportunity to continue their work in an open and secure environment. The military and political circumstances in, for example, Yugoslavia, has forced those individuals who were actively engaged in alternative and open cultural, artistic and political production to radically curtail their activity for fear of prosecution and harassment, endangering not only themselves, but also their families, friends and relatives. Under the auspices of host cultural and artistic organisations in Europe and beyond, the ECX will act as a guarantor of continued cultural and intellectual activity during and after the times of conflict.

ECX

In the framework of the ECX programme, internationally recognised cultural institutions will offer residency places to artists and other cultural practitioners threatened by conflict, inviting them to work on specific projects in a context of increased personal security and guaranteed freedom of expression.

Aims

The ECX will engage to actively support projects which: - foster and maintain open forms of artistic and cultural expression considered under direct threat - act to further European integration and preservation of cross-cultural and multi-ethnic dialogue - engage the experience and knowhow of artists from crisis areas to develop ongoing cultural cooperation in Europe - enable the re-establishment of basic civil, political and cultural structures upon the cessation of conflict in the region

Structure

The ECX will establish a framework to provide technical assistance, day to day support, and a social space to allow networking with local artists, curators and academics as well as with the public at large. This is considered as a fundamental function of the programme, leading to genuine working connections among European and international artists, cultural practitioners and media organisations.

As such ECX will provide:

- travel expenses to the host organisation - lodging during the residency period - insurance, visa and general administrative support (which will also be supported politically and practically by the European Cultural Backbone) - per diem - working space, access to technical equipment, technical and conceptual support, production and presentation opportunities

Official Regulations

Application are processed by the host organisations. There is no age limit for participating in the ECX programme. Knowledge of English or the national language of the host country is preferable. Selections will be made by the hosting organisations on the basis of their technical and organisational possibilities and the suitability of the project to the host organisation's work in accordance with the ECX's stated aims. Residency limits, per diems and the scope of cooperation and support will be established on a case by case basis.

Potential Supporting Institutions and Sponsors

De Balie (NL), cybeRex (YU), FACT (UK), Glass Palace Media Centre (FI), Open Studio/WRO Foundation (PL), Steim (NL), Terravista (PT), C3 Center for Culture & Communication (HU), E-lab (LV), Ljudmila (SI), ARTEC (UK), Society for Old and New Media/De Waag (NL), Ars Electronica Center (AT), CRAC (SE), V2 Organisatie (NL), Public Netbase t0 (AT), Stiftung Bauhaus Dessau (D), Hungarian Academy of Fine Arts - Intermedia Department (HU), Werkleitzgesellschaft (D), Hull Time Based Arts (UK), Volksbuehne Berlin (D), Modern Institute (UK), ZKM (D), ICA-D (H), Kunstlerhaus Bethanien (D), Arthouse Dublin (I), muu (FIN), Soros Centre for Contemporary Arts Skopje (MK), Rote Fabrik Zurich (CH), Medienhilfe Ex-Yugoslawien Zurich (CH), Centre for Metamedia Plaszny (PL), E-Media Centre Tallinn (EE), Miro Foundation Barcelona (S), Offenes Kulturhaus (A), Press Now (NL), XS4All (NL), Forum Stadtpark (A), Kulturkontakt (D), Council of Europe (B), Banff Centre for the Arts (CAN), MedienwerkstATT Wien (AT), WUK (WIEN), …

The ECX will be coordinated by the European Cultural Backbone, a coalition of media cultural institutions in Europe. For further information, please, contact Andreas Broeckmann, V2_ Rotterdam, abroeck@v2.nl.


ex-YU Forum @ Trafó
14 April 1999, 19h TRAFÓ
15-16 April, 22h (BBS) Toldi Cinema
  
 
 
In place of the ex-YU zenei fesztivál which was planned for 14-15 April, and which is now impossible to present due to the fact that men between the ages of 16 and 60 are not permitted to leave Yugoslavia due to military mobilisation, we have organised a programme centering on a round-table discussion focused on the current situation, to take place on 14 April at 19:00. On 15 and16 April at 22:00 there will be an accompanying programme of short films from the region at the BBS Toldi Cinema. We have invited the most prominent journalists in Hungary specialising in Yugoslav politics: József Makai of Magyar Hírláp, formerly of Magyar Narancs, and Szilveszter Varga, international political correspondent of the Hungarian Radio, as well as József Juhász, historian at the Department of Political Theory at ELTE, to take part in the round-table. Alongside the experts, we are depending upon the contributions of a number of current „guests” with us from Serbia. We hope that Sonja Licht, President of the Fund for an Open Society Yugoslavia, and József Kasza, President of the Hungarian Association of Voivodina, will be able to accept our invitation.  We also consider this a prime opportunity to organise a press conference focusing on the position(s) of the civil rights movement/civil society in Hungary, inviting representatives of the most relevant NGO’s in Hungary, such as Alba Circle, and the Hungarian offices of Helsinki Watch, the International Red Cross and the UNHCR.  Our guests from Serbia include half of the artist group Apsolutno (Novi Sad), and representatives of B92 and Cinema Rex (Belgrade). In keeping with the spirit and aims of the Trafó, the programme would focus on the political only within the context of the cultural and social perspectives.   B92 Statement KEEPING THE FAITH Our slogan used to be "Don't trust anyone, not even us".  To this we have now added "... but keep the faith" Belgrade -- April 1, 1999 On March 24, 1999 secretary-general of NATO issued the order to attack Yugoslavia. Four hours later Radio B92's transmissions were banned and essential transmission equipment confiscated. B92 Editor-in-Chief Veran Matic was detained without explanation and without an opportunity to contact his family or lawyers. He was released eight hours later, again without explanation and without having been questioned. War has been declared in Yugoslavia. Sources of information are drying up. HelpB92 was established at 5:00 p.m. on Wednesday, March 24, 1999. Radio B92 from Belgrade was the only significant electronic media in Serbia that remained truly independent, both from the regime and from the opposition. Though a local station, with limited range - covering only the centre of Belgrade - the station became the informative, cultural and democratic centre of Belgrade and Serbia. Its programs were original, inventive and of a consistently antiwar, anti-nationalistic flavour. Activities included B92 Radio Programming and News Production, Publishing - Books and Magazines, OpenNet - Yugoslavia's Alternative Internet Provider, Television and Film Production, Cinema REX Cultural Centre, and Music Production. Low-Fi Video production and screening programmes are an initiative of Cinema Rex, supporting and promoting Yugoslav low-budget production of short film. We are lucky enough to have in Budapest (for a premiere screening) a compilation tape of The Best of Low-Fi (1997-99, 2 hours), including even three works made between 24-30 March 1999. Apsolutno is an independent artists’ initiative established by four individuals in 1993, who employ a variety of media (photography, video, CD-Rom, Internet, installations, actions) and whose production reflects and comments upon the political context and the role of the media. In addition to the public round-table and/or press conference, a larger satellite programme would be a Syndicate meeting, which had been originally planned to take place in Belgrade this April in conjunction with a Yugoslav video festival (1970’s – 1990’s) at Cinema Rex, and which has been detoured to Budapest. The Syndicate was formed on 21 January 1996 during the Next 5 Minutes conference in Rotterdam. A loose affiliation of artists, curators, networkers, writers and festival organisers, most of them from Eastern Europe, who are working in the field of electronic- and media-art. Because the emerging arts in these countries shared similar situations, it seemed a good idea to communicate more regularly, to stimulate collaboration, to facilitate co-operation between East and West, and to form a strategic alliance that is able to speak with one voice when necessary. The East-West axis has become less relevant for defining the character of the Syndicate. Any underworld organisation needs to define its territory though.  The Syndicate calls it: Deep Europe. Syndicate meetings have been organised in the context of festivals in Rotterdam (DEAF96), Liverpool (LEAF97), Kassel (Deep Europe workshop), Linz (Syndicate Net.Shop), Dessau (Ostranenie 97), Tirana (Pyramedia), and Skopje (Junction). The heart of the Syndicate is its mailinglist, hosted by the Ars Electronica Center and coordinated by V2_Organisation in Rotterdam, which cleared a corner for what it called its V2_East initiative. Budapest, 10 April 1999 On the part of the Soros Foundation Hungary C3: Center for Culture & Communication: Adele Eisenstein, Andrea Szekeres  On the part of Trafó – House of Contemporary Artists: Eike, Kata Molnár 
 
 

 

 

 
Break the logic of war! Desert!
Open the borders!

 
Munich/Berlin/Amsterdam/Vienna/Belgrade/Liverpool/Budapest/...  
30 March 1999

     The disastrous plight of the civilian population in Kosovo is continuing unabatedly. Whether they like it or not, the NATO countries have begun to play an active role in the crisis-ridden region of the Balkans. They must take responsibility by not only offering humanitarian aid and shelter to the civilian population, but also by opening up their own borders. Any attempts at fleeing the war must be actively supported, in whichever way possible.  

     This is particularly important for deserters and conscientious objectors who defy being drafted into one of the fighting armies. In Yugoslavia, many reservists are currently being called up - patriots as well as opposion supporters - to fight on the Serb side in Kosovo. The possibility of them being put into dangerous positions, prone to NATO attacks, is particularly high. There is a moral obligation towards the men and women who defy serving in the army. They deserve special protection in the region and must be received as legitimate asylum seekers in any and all of the NATO countries.  

     We demand that Europe - individual citizens, countries and their governments - should open their borders for refugees, war victims and deserters, and to offer them shelter and political protection. Extensive material support should also be given to neighbouring countries, including Romania, Bulgaria, Macedonia, Albania, and the Republic of Montenegro, to deal with the large influx of refugees. Humanitarian budgets must be able to rival military budgets.  

     We also demand and immediate cessation of military and paramilitary activities in Kosovo and Yugoslavia by the FRY's army and paramilitary groups, by NATO, and KLA forces and call for a return to diplomatic negotiations towards a peaceful settlement of the crisis. We demand an immediate end to NATO's attacks, and to the repression and military aggression against the Albanian population.  

     We demand the setting up of support centres and services to aid the flight and desertion of individuals through and into Hungary, Austria, Italy, Germany, and other countries. The borders of countries neighbouring on Yugoslavia have to be open, especially for men.  

     We demand the active, moral and material support and protection of independent voices and media in the Federal Republic of Yugoslavia, for the sake of their courage and for the sake of a free flow of independent and uncensored information and communication on all sides.  

Let us defy the mad logic of war!

Inke Arns, mikro e.V. (Berlin) Eddie Berg, Foundation for Art & Creative Technology (Liverpool) Andreas Broeckmann, V2_Organisation (Rotterdam/Berlin) Vuk Cosic and Marko Peljhan, Ljubljana Digital Media Lab (Ljubljana) Crash Media (London) Adele Eisenstein and Andrea Szekeres, C3 - Center for Culture & Communication (Budapest) Olia Lialina and Florian Schneider, Teleportacia.org (Moscow/Munich) Geert Lovink (Amsterdam) Vesna Manojlovic (Amsterdam) Mira Oklobdzija, PressNow (Amsterdam) Drazen Pantic (New York) Public Netbase t0 (Wien) Jutta Schmiederer, Ars Electronica Festival (Linz), Robert Harauer, MEDIACULT (Vienna) Debra Solomon (Amsterdam), Tapio Makela (Helsinki)

 
For further information, please, contact Florian Schneider and Andreas Broeckmann.