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PRELOM No.1/ 2001
by Magazine of The School for History and Theory of Images, Belgrade
Print date: 2001-06-15
Institution: CENTER FOR CONTEMPORARY ARTS - BELGRADE - Serbia and Montenegro
Editor(s): Ivana Blagojević, Slobodan Karamanić, Dragana Kitanović (secretary of redaction), Vesna Madžoski (editor), Vladimir Marković, Svebor Midžić,Siniša Mitrović (editor-in-chief), Milan Rakita, Jelena Vesić
ISBN:
Contact: cca@dijafragma.com
WWW: http://www.dijafragma.com/school
Review: The first issue of Prelom (Break) magazine reexamines current
relationship between politics and theory and it has been initiated with
the aim to intensify, rather, revive activities on local theoretical and
art scene engrossed in academism and enjoyment of its own autism,
hermeticism and isolationism. Prelom sprang up from the School for History
and Theory of Images (CCAb), one of the rare loci of opposition to such
worrying tendencies, and each issue will have as its foundation
contributions by the students of the School (essays, translations,
reviews) and the transcripts of especially interesting lectures. The
material is grouped into two main thematic units - Ideology & its
discontents, and Reading the Image. The guest unit in this issue is
Psycho<>Politics, with the newest translations of four Slavoj Žižek's
texts. The policy of the journal is based on supporting young authors and
development of critical thought in the face of all hegemonic artistic and
intellectual practices. Also, Prelom will introduce the work of chosen
young Yugoslav artist in each issue (in issue No.1 the special gift is
original artwork by Žolt Kovač).
This is the contents of Prelom No.1:
a.. Rastko Močnik: Althussers Thesis
b.. What is to be Done? An interview with Boris Buden
c.. Vesna Madžoski: How I Became The Serb, or: From Pirate to Original
d.. Slobodan Karamanić: Alternative Academic Educational Network - New
Model Education
e.. Vladimir Marković: >New Social Movement< in Serbia in the gos and
Depiction of its Ideology
f.. Mark Terkessidis: Global Culture in Germany, or: How Repressed Women
and Criminals Rescue Hybridity
g.. Darinka Pop Mitić & Svebor Midžić: Video-Games and Late Capitalism
h.. Ziauddin Sardar: The Postmodern Future of Orientalism
i.. Anne
McClintock: Soft-Soaping Empires: Commodity Racism and Imperial
Advertising
j.. Milan Rakita: Newly Undiscovered Balkans, or: How to Avoid the New
Balkanization of Balkans
k.. Kaja Silverman: Objects Lost, Subject Deceived
l.. Francette Pactau: Mirror, Mirror...
m.. Ivana Blagojević: Black Shows No Stains
n.. Reina Lewis: Looking Good: Lesbian Gaze and Fashion Imaginary
o.. Mieke Bal & Norman Bryson: Semiotics and History of Art
p.. Jelena Vesić: The Death of the Virgin
q.. Roland Barthes: Le message photographique
Le troiseme sens ...
a.. Siniša Mitrović: Studium & punctum in Roland Barthes' Theory of
Photography
b.. Branislav Dimitrijević: Blow Up
c.. Dejan Sretenović: The Rhetoric of Image, the Small-town Philosophy
(in
10 scenes)
d.. Roland Barthes: Diderot, Brecht, Eisenstein
(all texts are in Serbian)
Received on 2002-12-02 from Branko Dimitrijevic -
Yugoslavia
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